Skip to main content

Our Texas, My Texas: "Memories we carry like scars and diamonds"

Carolina days
This post title includes a quote from Hermine Pinson's poem, "Four Sisters and the Dance." As you read, it will become clear why.

I was 7 when my father earned his Ph.D. from Duke. He then accepted a teaching position at a small private college in a rural Texas town in the 1960s. Population was 5,000, give or take a few. Our Texas roots ran deep, and we saw this return to the Lone Star State as a homecoming. So, I left the lyrical landscape of the Carolinas and the small private school where I had become nearly fluent in French. Then, I entered the hot, dry world of that small town. 

We did not yet have a place to live. Our family of five, including our infant brother, camped out in the girls' dorm for several weeks. Our furniture was stored on the university theater stage while my parents searched for a home. I was riding in the car with my dad and a member of the university administration and overheard their conversation. My father wondered where he could find help with moving the stored furniture. His colleague said, "Don't worry. We can find some Mess-cans." I didn't know what a "Mess-can" was, but I knew I didn't like the way he said the word. It felt ugly.


Little sister was always a safe friend on the frontier.
This was the first of many ugly moments for me as I adjusted from a gentle, Carolina-city world to a rural, Texas one. The first thing anyone said to me on my first day of third grade was, "Fuck you." Later, Leonard with flinty blue eyes called me a witch because I could speak French and write in cursive. Brown-eyed Dahlia told me every afternoon that the teacher wanted me to stay late so she could punish me. I was nice to Mark, the one boy in the class no one wanted to play with. That earned me class-wide disdain. My parents had a home built across the street from the elementary school. Marilyn, with the curly hair, told me she'd never live in that house because "n--gers" worked on it. I lived in a family where I would have "my mouth washed out with soap" if I ever used that word. In fact, I didn't know the term then, but I lived in a family of civil rights activists. Age seven was a young age to learn what it felt like to be an outcast, but it was a lesson that actually served me well in life; a lesson I not only cannot, but also choose not to forget. 

As time passed, I made good and dear friends, but I never have and never will see Texas as a place without the barbs on the wire the frontier made famous. While I enjoyed some wonderful teachers and great extracurricular experiences in high school, there were also the football players who felt entitled to feel me up during chemistry class where they sat behind my desk, or the jock who told me to let him look on my test paper "or else." There's more, but you get the idea. Texas was home, and home was thorny. Sometimes it was also scary. I was by nature a shy, intellectual type and worked hard to cover it up to fit in. I even got elected cheerleader my junior year. Then my friend the drum majorette had to pull me out of the restroom where I hid crying before the first pep rally. I was embarrassed about standing in front of the school in such a short skirt. It was, I see now, good preparation to be an expat later in life. I did indeed feel that, though I belonged there, I could not and did not fit in. My home was a foreign country.


Still, I came to love my native state. That love grew first from a love of its land. Long gone now, there used to be a wide field of grass, scrubby trees and bluebonnets that bloomed annually behind the elementary school. As clearly as I remember being called a witch, I also remember walking onto that spot of land and feeling its spirit, hearing it speak to me. I remember its presence as sharply as if it had been a human being. That presence was strong, undiluted, masculine in nature, and holy. Learning to turn to the land as a friend has served me well ever since, including when I did indeed live in a foreign country.

As soon as I could, I made a beeline for the Mex-i-cans. My French class now long-gone, I pestered anyone I could to teach me Spanish. My babysitter, Rebecca, taught me my first word: blusa. That, too, is something I'll never forget. One word set me on a lifelong journey, until Spanish became as much a piece of my heart and soul as English.


I could not have imagined then that one day there would be a book filled with voices and visions of Texas women of all walks of life, of other women who understood the rough beauty that comes with having grown up here, of companion souls who express the friction and discomfort of this place that served to make us stronger and wiser. But, indeed, that book now exists, and my work is part of it. As grateful as I am to be part of this literary and photographic effort, I am most moved by what it means to me spiritually.

Her Texas speaks to the survival of the spirit, wherever that spirit may find itself. The struggle of women everywhere in the world to fully realize and express who they are is a matter of substance; where and how we do it is a matter of style. The substance of that struggle is universally shared. Men and women anywhere in the world can find something and someone to connect to in this anthology. While its geographical center gives it shape, its many messages reach far beyond that center point. 

You'll find information on the book and its contributors here.   Here's a sampling of the richness  you'll find in its pages (photo by Deana Newcomb. More on the book's visual treats later):




Mijo ... this is your herencia
This 
is what is yours
This 
is what your mother fed you
to keep you alive....    Carmen Tafoya

__________________

In the dim air
dashes of new sun backlight
leftover brown bats catching
the last slow mosquitoes
and mockingbirds breaking
their full moon fast 
fly from feeder
to field to feeder....

Jays puncture the air
and in the oldest pecan tree
two squirrels run
spiraled wind sprints 
risking the attention
of the new puppy
sleeping at the feet
of a woman who sings
to meet the morning      Anne McCrady
________________________________

On Christmas day in 2012, when high winds roared through the sparkling sunlight of a December Texas morning, I began to do what I had vowed never to do, and that was to write about my mother.
Betsy Berry

Kay Sutherland was the hoot-and-holler type, always the mountain-rearranging type. ...she called the sun-sated land of scraggly creosote and prickly pear both beautiful and sacred.
Catherine Rainwater

She put the book in my hands and pointed to a picture of a painted warrior. He was holding a bow and arrow, and his eyes--blazing out through the centuries--were bright blue.   Rachel Crawford

________________________________________

To fight like a girl
you must first become an ocean
to hold the crush of tears
pooling beneath the ducts.

You must learn to walk
through the day with a fish of fear
floating through
the coral of your belly.   Loretta Diane Walker

____________________________________

We outran our own shadows
The song's breath bears traces of the sub-Saharan moan
the gospel holler. We grip our lives in our hands
sure of that much. Joy, like anger, runs deep as memories
we carry like scars or diamonds
or like the potbound onion grass we tend to neglect.  Hermine Pinson

______________________________________________


Wondering where my contribution is? Stay tuned. Next post!
Order the book here.  If you order from BookPeople, they will ship worldwide.

Comments

Popular posts from this blog

Mil Cosas

Mil Lubroth was an American artist of Polish and Russian descent who came to settle in Madrid, where her chic, short name took on an extra meaning. In castellano, Mil means a thousand. Just right for an artist whose work could never be "pinned down," or categorized by any one theme or direction.

To experience Lubroth's work is akin to hearing a chorus of voices from Sheherazade's 1001 nights: it is to see and feel a thousand things united in one intriguing and beautiful visual journey. If you are anywhere near Madrid during October, invite yourself to a banquet of Mil's "mil cosas" atAnnta Gallery. The exhibit that opens October 5th is the first retrospective of Lubroth's work since her death in 2004.

Spanning 50 years, these works reveal an artist who was never less than mature and skilled in her work. There is no sign of awkward beginnings, improvement over time or deepening development. Here is Minerva, beginning her artistic trajectory fully f…

A Cat, a Dog, and Shakespeare: The Perfect Sunday Afternoon

One reason I keep paying a cable bill is to be able to watch Turner Classic Movies. I had just finished a batch of Sunday chores and was resting a moment on the couch, wedged between Chatterly the cat and Gypsy the dog (an Australian Kelpie), and saw that TCM was about to air Julius Caesar, directed by Joseph Mankiewicz, and produced in 1953. 


I read Julius Caesar for the first time when I was in sixth grade. It was a great time to read it, because it seemed fresh and real to me, even though some of the centuries-old English was challenging. 


The movie made me wish that Joseph Mankiewicz had directed more of Shakespeare's works for cinema. The balance the movie strikes is oh, so totally just right. It does not go so far into cinematic territory that we lose the work's theatricality, but travels far enough by camera that it provides a sense of seamless reality only a movie can create.  The casting was brilliant.  James Mason was at his best as Brutus, and he carries the film on h…

Booked on Sugar

Sometimes the television remote control finds the channel for Destiny. I believe I was indeed destined to see Marc Aronson'sand Marina Buddhos's presentation to students at the Brooklyn Public Library based on their recent book, SugarChanged the World. Their program certainly changed my world. While written for a youth audience, this is a book that adults will enjoy, and naturally, a great book for parents to share with their children.

I often wonder at the parallels between drug addiction and food addiction in our culture. I know I'm not alone in this. You can't miss the similarities:  "Betcha can't eat just one.  Crave the crunch. Do you dream in chocolate? Hershey chocolate is bliss."  And, as noted in my earlier posts on  Super Bowl ads, when you see a man "snorting" Dorito crumbs .... well, I rest my case.

I've also thought about how quickly we "judge" people with substance abuse problems while the US clearly suffers from foo…