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Lately, I feel as though I've returned to my beloved professor's class room. More and more, I see juxtapositions that make me meditate on the meaning of things.
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The U.S. Post Office is deeply in debt. They may have to cut service. My local post office during this busiest mail month of the year has only two employees handling everything. When one of them takes a well-deserved break, the clerk-to-customer ratio goes as high as 1 to 15. If they re-hired some of the employees they let go, service would be faster and more efficient. More people would come to the Post Office because they would know the service would be good with prices below those of UPS. Image one: Post office losing business. Image two: Post office not taking care of the business it has (and making both customers and employees suffer). Lesson: Cut back services and you do indeed lose business.
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Juxtapose 2: No Response for Responders
The Senate appears to be trying to side with Senator Kyl who claims it is un-Christian for the Senate to work between Christmas Day and New Year's Eve. A bill is up for a Senate vote that would provide much-needed health care to 9/11 First Responders---many of whom are now DYING--I repeat: many of whom are now DYING--from health problems related to and caused by their heroic work. The bill has passed the House and needs to pass in the Senate before the new Congress begins. Lesson: Acting in a Christian manner is about service, not a Pharisee-like observance of paid vacation. If you're going to play the Christian card, sir, best brush up on your New Testament reading. Reaction: This juxtaposition makes Orwell's 1984 appear comedic rather than prophetic. Click on 9/11 photo above to go to the Help 9/11 Rescue Workers Blog.
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And so, I think of what I learned from art slides long ago as the world slides by me today: the packages on USPS conveyor belts; firefighters and policemen on their way home from a career they cannot return to, living painful and foreshortened lives; and the man-made signs of belief-in-advertising. Little did I know, as the elegant and intelligent Mr. Kinnard was teaching us art history through a kind of double vision, what sharp, strange juxtapositions awaited me in life beyond university.
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