Skip to main content

New Anthology by Pilgrimage Press


I've read a lot of literary magazines in my time and edited a few, as well. I have a very short list of favorites, and Pilgrimage Magazine is on that list. Published since 1972 and edited by Peter Anderson through 2008, Pilgrimage is a jewel of a literary journal. In 2009, poet María Meléndez became editor and publisher of Pilgrimage.

This journal blends a special kind of refinement with a deep connection to the earth. It combines great visual images with carefully chosen prose and poetic works. It is a testament to what writer Albert DiBartolomeo said is one of the most important parts of the writing and creative process: "Taking care."

Pilgrimage Press has just released a new anthology, entitled Telling it Real, which includes selections from Pilgrimage Magazine's pages, under Anderson's editorial guidance from 2003 to 2008. Its striking cover was created by Jono Tew. I know this anthology will be a rewarding read and will be well worth its price of $19.95. Order your copy today at Pilgrimage Press. Just as the name of the press suggests, this will be more than a good read, it will be a pilgrimage, one that will be both meaningful and enjoyable.

Comments

Popular posts from this blog

A Cat, a Dog, and Shakespeare: The Perfect Sunday Afternoon

One reason I keep paying a cable bill is to be able to watch Turner Classic Movies. I had just finished a batch of Sunday chores and was resting a moment on the couch, wedged between Chatterly the cat and Gypsy the dog (an Australian Kelpie), and saw that TCM was about to air Julius Caesar, directed by Joseph Mankiewicz, and produced in 1953. 


I read Julius Caesar for the first time when I was in sixth grade. It was a great time to read it, because it seemed fresh and real to me, even though some of the centuries-old English was challenging. 


The movie made me wish that Joseph Mankiewicz had directed more of Shakespeare's works for cinema. The balance the movie strikes is oh, so totally just right. It does not go so far into cinematic territory that we lose the work's theatricality, but travels far enough by camera that it provides a sense of seamless reality only a movie can create.  The casting was brilliant.  James Mason was at his best as Brutus, and he carries the film on h…

Booked on Sugar

Sometimes the television remote control finds the channel for Destiny. I believe I was indeed destined to see Marc Aronson'sand Marina Buddhos's presentation to students at the Brooklyn Public Library based on their recent book, SugarChanged the World. Their program certainly changed my world. While written for a youth audience, this is a book that adults will enjoy, and naturally, a great book for parents to share with their children.

I often wonder at the parallels between drug addiction and food addiction in our culture. I know I'm not alone in this. You can't miss the similarities:  "Betcha can't eat just one.  Crave the crunch. Do you dream in chocolate? Hershey chocolate is bliss."  And, as noted in my earlier posts on  Super Bowl ads, when you see a man "snorting" Dorito crumbs .... well, I rest my case.

I've also thought about how quickly we "judge" people with substance abuse problems while the US clearly suffers from foo…

Mil Cosas

Mil Lubroth was an American artist of Polish and Russian descent who came to settle in Madrid, where her chic, short name took on an extra meaning. In castellano, Mil means a thousand. Just right for an artist whose work could never be "pinned down," or categorized by any one theme or direction.

To experience Lubroth's work is akin to hearing a chorus of voices from Sheherazade's 1001 nights: it is to see and feel a thousand things united in one intriguing and beautiful visual journey. If you are anywhere near Madrid during October, invite yourself to a banquet of Mil's "mil cosas" atAnnta Gallery. The exhibit that opens October 5th is the first retrospective of Lubroth's work since her death in 2004.

Spanning 50 years, these works reveal an artist who was never less than mature and skilled in her work. There is no sign of awkward beginnings, improvement over time or deepening development. Here is Minerva, beginning her artistic trajectory fully f…